Mongolian movies

Overview of the cinema of Mongolia Cinema of Mongolia No. of 24 (2011) Main distributors Tengis cinema Urguu cinema Soyombo cinema Produced feature films(2011) Fictional 1 (7.7%) Animated - Documentary 12 (92.3%) Number of admissions(2011) Total 1,916,700 Gross box office Total The cinema of Mongolia has been strongly influenced by the History [ ] It is assumed that the first cinematographic performances in After the socialist revolution, the ард, 'people') opened in the capital (now named Mongol Kino [ ] The national film studios, Mongol Kino, were founded in 1935, with Soviet technical assistance. Their first productions were a documentary on the "47th anniversary of the 1st May" and a fictional story named A Mongol son ( Mongol Khüü) directed by the Russian Norjmaa's Destiny ( Norjmaagiin Zam) by Baldan in 1938. From then on, Mongolian movie production focused on heroic revolutionary propaganda and ancient popular legends, still often under Russian direction. This program was very successful with movies like Sükhbaatar (1942) and 1950s and 1960s [ ] After World War II, the party moved the focus on working-class heroes, reflected in movies like New Year ( Shine Jil, 1954) by Awakening ( Serelt, 1957) by S. Genden and Gologdson khüükhen) by The Golden Yurt ( Altan Örgöö, 1961), based on a folktale. It was produced in cooperation with the 1970s and 1980s [ ] While the production of documentaries increased, fictional stories turned to everyday life in the 1970s. One of the ...

Dandar was one of the commanders in a horse battalion in Mongolian army during Khalkhiin Gol Battle against Japan's Imperial Army. He never lost a battle and was known as the most feared war... Dandar was one of the commanders in a horse battalion in Mongolian army during Khalkhiin Gol Battle against Japan's Imperial Army. He never lost a battle and was known as the most feared warrior in the battle field. His success wasn't openly invited by the secret services, since ... Dandar was one of the commanders in a horse battalion in Mongolian army during Khalkhiin Gol Battle against Japan's Imperial Army. He never lost a battle and was known as the most feared warrior in the battle field. His success wasn't openly invited by the secret services, since he was never injured and wounded during the battles. Due to personal jealousy of an invest... There are two ways to approach Mongolian military drama Marked Man, also known as The Warlord. If you compare this movie to similar productions from other countries, the lack of budget becomes quite obvious which leads to an absence of gripping action scenes and reduces this film to a documentary-styled drama with propagandistic tendancies. On the other side, it's also possible to analyze this movie as one of the few films to come out of Mongolia that manages to entertain and teach international viewers about the way the Second World War unfolded in that country. This movie deals with the Battles of Khalkhin Gol between Mongolia and Japa...

It is the word "horde" that had meant, for many countries and nations, bloody raids and being under humilating contribution for centuries - a strange and scary world with its own rules and customs. To be or not to be for Rus (Ruthenia), that is the price of the one-man mission as he is departing to this world to accomplish a feat. The film tells the story of how Saint Alexius, the Metropolitan of Moscow and Wonderworker of All Russia, healed the Tatar Queen Taidula, Jani-Beg's mother, from blindness, in 1357. A promise, an old, destroyed horse head violin and a song believed lost lead the singer Urna back to Outer Mongolia. Her grandmother was forced to destroy her once loved violin in the tumult of the Chinese Cultural Revolution. The ancient song of the Mongols, "The Two Horses of Genghis Khan", was engraved on the violin's neck. Only the violin's neck and head survived the cultural storm. Now it is time to fulfill the promise that Urna made to her grandmother. Arrived in Ulan Bator, Urna brings the still intact parts of the violin - head and neck - to Hicheengui, a renowned maker of horse head violins, who will build a new body for the old instrument in the coming weeks. Then, Urna leaves for the interior to look there for the song's missing verses. But she will be disappointed. None of the people whom she meets on the way appears to still know the old melody of the Mongols.